Showing posts with label Psychedelic Rock. Show all posts
Showing posts with label Psychedelic Rock. Show all posts

Thursday, April 8, 2010

Golden Silvers - True Romance

Psychedelic rock is such a huge umbrella term now. It covers anything from Of Montreal to MGMT. And I guess I'm okay with that, but there was a time where 'psychedelic rock' wasn't thrown around loosely. I'm about to contradict about myself, but I will say that modern 'psychedelic' music is probably more congruent with actual psychedelic experiences. Regardless, the word psychedelic as it pertains to music was set in precedent in the 1960s by American bands like The Velvet Underground and 13th Floor Elevators and British bands like Pink Floyd, Traffic, Soft Machine, and Cream.

Golden Silvers are true psychedelic rock from where I see it. These young Londoners released this debut last year to little to no hype. The trio has been kicking around singles since 2007 and released "True Romance" on XL Recordings. Synthesizers and dramatic vocals, and anything under the sun used to characterize 'psychedelia' are on this record. I have a sneaking suspicion they'll make waves with a future release as they improve upon their already tight sound.







Saturday, March 20, 2010

MGMT - Congratulations


I'm sorry. I have to.

It really isn't bad. It's still MGMT, but they're weirder. A little less dance-y, a little more 60s. Definitely a step up in terms of consistency of an actual album. I can see myself actually buying an MGMT record. Tickle me surprised.





Sunday, February 7, 2010

The Ruby Suns - Fight Softly

Ryan McPhun and co. have been kicking around since 2007 or so, creating indie rock comparable to some kind of psychedelic bastard child of Vampire Weekend and Fleet Foxes. With a new label in Sub Pop, the new LP from the Ruby Suns is a record full of interesting songs and attractive textures. The album is straight-forward psychedelic pop. Shimmering keyboards, tribal drums, and reverberated vocals outline the record. A staple of post-AnCo music, the Ruby Suns expertly craft pop songs that are catchy enough to garner replay value, but weird enough to stay refreshing. Standouts include, "Cranberry," "Closet Astrologer," and "Two Humans."



DOWNLOAD FIGHT SOFTLY RIGHT NOW MAN

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Sunday, January 31, 2010

Suckers - EP

Another Brooklyn psych rock group who are getting mad hype right now. They're on IAMSOUND records and have this sweet EP for downloadz.

Along the lines of Yeasayer, Menomena, and good music like that



Keepaway - Baby Style EP

so you're like me and you want to move to brooklyn to get your new 'psych rock' band up and going and you think you sound pretty cool. check out Keepaway. barring some understandable production flaws and brevity, these guys have a promising future. check the panda bear-like vocals on '5 rings.' pretty good impressions imo






Wednesday, November 18, 2009

Animal Collective - Fall Be Kind EP

Haven't listened yet. I figure it's good. It's Animal Fucking Collective. My download speed is not sufficient right now. I'm getting angry. Fucking college ethernet cable. Love you all. Do your homework.

EDIT: The first track is about as good as anything on Merriweather Post Pavilion.

EDIT NUMERO DOS: I was challenged to write a better review than the one Pitchfork gave this record. So here it goes right off the dome...



There's an interesting happenstance that occurs when the lyrics of a song sort of weave in and out of your brain and when they finally settle, you can decipher the meaning of the words. One thing I've always admired about AnCo member and 505-master, Noah Lennox (aka Panda Bear) is the way he writes his lyrics. Most times, when I read or hear really obvious and somewhat thin lyrics I find myself bored and uninspired. But with Lennox, there's always a decisive theme and mission with his words, and you can almost always pick it up. "And to have a band/That cracks the point of fame/Why does a band/Make me less settled in?" In the past year, Animal Collective went from blog-favorites and the best kept indie secret to having their music videos played in American Eagle, and new legions of bro-infested fan groups attend their shows. It's hard to be happy for them when you're seeing a band you held so dearly let themselves becomes victims of their own success.

Merriweather Post Pavilion makes sense to me now. A band releases a critically-acclaimed and widely accepted record, which in turn produces a very important stepping stone for a band to be able to release any kind of record they want while still retaining their initial new fan base...for the most part.

This 27 minute long, 5 song extended play features a collection of tracks that did not fit on MPP. A single listen to this one and it is easy to see why. Subtle layers of sonic textures coat shimmering vocal lines that twist in turn in an anti-pop but catchy way. Try not to hum "What Would I Want? Sky" after hearing it a couple times. Speaking of "Sky," this track may seem hard to swallow at first with over a minute and a half of 7/8 drum samples and reverberated vocal stylings from Avey and Panda. But after the break, the song releases into an uplifting stomp that always provides a satisfying sing-along. Opener "Graze" holds one of the band's best used samples in a pan-flute breakdown that gives away to a synth-bass infused refrain. "Bleed" and "On a Highway" are two vocal heavy tunes that feature gorgeous noise and more reverb than we knew Panda Bear had access to.

And to close the EP, is the Panda Bear-penned song, "I Think I Can." Once again, we can decode Lennox's thoughts through his lyrics. The song covers Lennox's confidence in his ability to move past his Person Pitch fame and continue to make interesting music. "What's nice about/Staying on the same phase?" More importantly, this song is close to perfect. It's a little on the long side for the amount of ideas in the song. But the rewarding part is the last half, when Noah flexes his vocal acrobatics.

It's hard to review this without bias, because I love this band so much. But I will say that this EP isn't perfect. It's sometimes easy to skip "Bleed" or "On A Highway" to hear "I Think I Can." And sometimes I just want to hear "What Would I Want? Sky." That's not to say this thing does not have replay value though. If you're in for the whole ride, it's easy to just start "Graze" again and go for the gold.

I think Animal Collective is in a right place right now. They moved past MPP and are poised to create a new style that fits their sound. Look for these guys to make another move in a couple of years after they settle in a little.



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1. Graze
2. What Would I Want? Sky
3. Bleed
4. On A Highway
5. I Think I Can

Thursday, May 28, 2009

Wilco - Yankee Hotel Foxtrot

A friend of mine named Gabriel particularly fancies the musical endeavors of a band named Wilco. They come from some town in America and play what I would call frantic American music. Their compositions always have that backwood feel while still feeling modern and experimental. The band is led by inevitably cool man, Jeff Tweedy. His ideas and the way he expresses his thoughts are both equally impressive.

This is widely known as their best album. The album starts with a mysterious song called, "I Am Trying to Break Your Heart." Easily the most 'progressive' song on the record, it stands as one of the most intriguing album openers I have heard in my music listening career. Yankee Hotle Foxtrot is an interesting record. It courageously tries to balance the fine line between alternative rock and psychedelic rock. But ultimately it does not stay balanced as it consistently falls on to the psychedilia side. They also just put out a record called Wilco (The Album), so go check that out as well.





Black Moth Super Rainbow - Eating Us

Black Moth Super Rainbow are just another band that makes me consistently think, "Wow I wish I had thought of that." Their music is simple, yet passionate. It keeps you interested while not being flashy. The infectious drum beats mesh perfectly with the sharp synth patches and vocoder melodies. Eating Us is the best BMSR album so far. It does a fantastic job of taking what made the band so good and adding new flavors to create a refreshing and creative album.


Download/buy this album!


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Friday, February 20, 2009

The Flaming Lips - In A Priest Driven Ambulance


Hello there, my name is Ethan and I'm going to be contributing to this blog every now and again. I figured that i might as well start off by posting one of my favorite albums of the early 90's and a psychadelic rock classic, if you're into that kinda thing. With this album, The Flaming Lips constructed some of the oddest, and most beautiful textures I've ever heard simply using guitar, bass, drums, and vocals...not to mention overwhelming use of a fuzz face. The best way I can describe this album is that its like walking a metaphorical gauntlet, where at every turn something new pops out and frightens the hell out of you. It's definitely an album where, in order to "get it", you have to listen to it start to finish at mind shattering volumes.

1. Shine On Sweet Jesus (Jesus Song No.5)
2. Unconsciously Screaming
3. Rainin' Babies
4. Take Meta Mars
5. Five Stop Mother Superior Rain
6. Stand In Line
7. God Walks Amoung Us Now (Jesus Song No. 6)
8. There You Are (Jesus Song No. 7)
9. Mountain Side
10. What A Wonderful World

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Monday, January 12, 2009

Boris - Rainbow

Some of you might have heard of Boris...but if you haven't; they're a quite prolific trio from Japan that make drone/sludge/stoner/psychedelic/experimental music. They're music is very varied, and I have just started listening to them. This is probably their most accessible album. It's a collaboration with Michio Kurihara.

I don't know what else to say about this album. It's very interesting chill/creepy music.

Try it out?